- Title: The Passage
- Author: Justin Cronin
- Genre: Horror
- Series: The Passage #1
- Format: Audiobook
- Source: Library
- Reviewed by: DarthVal
- Rating: 3 out of 5
Description: “It happened fast. Thirty-two minutes for one world to die, another to be born.”
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear—of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he’s done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey—spanning miles and decades—towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.
From the Publisher (Random House)
Review: Justin Cronin has taken it upon himself to tell a rather long and ambitious tale. The Passage, weighing in at 784 pages, is just the first installment of this saga, so be prepared to settle in for the long haul. The book requires patience, as Cronin weaves between different perspectives and time periods as he slowly and methodically lays out his tale.
The Passage tells the story of the rise of vicious vampire-type creatures that have caused the near destruction of the world. The first half of the book explains that circumstances surrounding the creation of these monsters and their subsequent infection of society. The second half of the book follows survivors of the catastrophe and their struggle to try to save what is left of the human race.
From the description, it sounds like this is an epic, action-packed story. Not so much. Don’t get me wrong, there are quite a few action scenes and some of them are very well told. The scene where all hell breaks loose at the secret compound in Denver was very well-written. However, the action seems few and far between, as they are spread out among a lot of long-winded prose explaining all of the characters in great, and often, unnecessary detail.
For example, the book opens by telling the hard-knock life story of Amy’s mother. Amy is a vital character to the plot of series, not just this first book. However, the author could have given the mother’s background in a few sentences, rather than a few chapters. In fact, the writing style reminded me at times Mary Shelley’s Frankenstein, seeming overly focused on everyone’s internal motivations and past history. This is not a compliment, I could not finish Frankenstein. Cronin’s opus is indeed slightly more enjoyable, I did make my way through to the end, after all.
The book often felt a little ADD, changing perspective AND writing styles. I am generally not bothered by alternating point of views, but Cronin took this a bit to the extreme. He would spend a lot of time focusing on a group of characters, then boom, he is off somewhere completely different. Oh, and he tells the story through a combination of narrative, letters, and diary entries.
The author was also guilty of committing one of my worst fantasy/sci-fi infraction, conflicting mythology. He has described that sunlight is harmful to his creatures and harms them. This premise is a key component to the survival of his characters. However, he has a scene where his characters flee the “sticks” (their derogatory name for the creatures) in broad daylight, and yet the creatures give chase. How is that possible? Further, his Mensa-candidate survivors decide to take refuge in a mall where there is plenty of shade to aid the sticks. It makes no sense! Gah!
Overall, the book wasn’t bad. There were compelling characters and the story was interesting. It probably would have been better told in at least 200 fewer pages. After hanging in there until the very end, I was rewarded with an ending that just kind of petered off. I am sure the author intends to pick up the thread in the next book, but the question is, will I care enough to read it? The jury is still out.